I could be said to be
falling in love
with a horse thief,
in spite of myself.
Yet, I don't - won't - refuse to - call it
"falling in love".
I am simply a woman,
and he is a man,
and something inside of me
is responding to something
about the man.
That is all.
And I try to ignore
the fact that his hands
are just like his brother's -
the hands of a murderer.
The hands of a murderer.
Seventeen years:
That's how long
my mother spent
as a widow.
Our little farm in Helford -
it was the only life
that I had ever known.
But the crops were failing;
the animals were dying.
When we buried Nell, the faithful old mare,
I watched
steel turn into shattering china,
before my young eyes:
witnessed my mother's first,
last and only
serious illness -
nursed her through
her final days -
reluctantly promising...
And so the promise - to go to my aunt.
I honoured my word.
And the moors,
so bleak and wild -
the landscape fills me with
a twisted, distorted
form of love.
So unlike my love, so pure,
for the river - for Helford - for
my people. My home.
And there it stands:
grey, solitary,
sinister and secretive,
the inn that bars its doors
to passing travellers -
not that many would wish,
or dare...
Yes, I could be said
to be falling in love
with my horse thief,
but I choose
to use
different words
instead.
Thursday, 21 February 2013
Tuesday, 12 February 2013
"From the East Wing" (inspired by Daphne du Maurier's "Rebecca")
beyond those gates
and a drive that sometimes feels
as though
it will never end
that twists and turns
through trees
more trees
beyond red rhododendron bushes
lies the house
vast, secretive, imposing
Manderley
and here
in the east wing
our bedroom
overlooking the rose gardens
so peaceful
tranquil
and from here
one cannot hear the sea
I do not think of
the west wing
her bedroom
their bedroom
the softness of her silk nightdress
white sand
rocks
the crashing waves
a cottage in the cove
from here
one cannot smell the salt wind
cannot see or hear the sea
and a drive that sometimes feels
as though
it will never end
that twists and turns
through trees
more trees
beyond red rhododendron bushes
lies the house
vast, secretive, imposing
Manderley
and here
in the east wing
our bedroom
overlooking the rose gardens
so peaceful
tranquil
and from here
one cannot hear the sea
I do not think of
the west wing
her bedroom
their bedroom
the softness of her silk nightdress
white sand
rocks
the crashing waves
a cottage in the cove
from here
one cannot smell the salt wind
cannot see or hear the sea
Sunday, 3 February 2013
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